The producers had one last chance to inject some excitement into the climax, so what do they decide to do? That's right...have a wedding. Nothing spells excitement like a marriage ceremony. And in keeping with the style of the last 300 seasons or so, characters talked...and talked...and talked.
Bill wants Sookie to kill him with her fairie light so that he would know the True Death and she would lose her power and stop being catnip for vampires. Hoyt goes back to Jessica (even though his memory of their original relationship has been glammed from him). Handily, Hoyt's Alaskan girlfriend switches over to Jason so that he can perfunctorily settle down to a normal life and stop being a whore. Eric and Pam save the Hep V antidote-carrying Sarah Newlin from Mr. Gus and the Yakuza, only to keep her chained up in the basement to sell her blood for the rest of her life (probably the only decent part of the episode).
Then Hoyt and Jess go to Bill's house to say their goodbyes. The topic of a wedding is brought up and the action screeches to a halt while last-minute plans are made. I kept looking at the clock, refusing to believe that they were really going to burn up the rest of the episode on something so boring. Hell, I don't want to go to weddings in real-life, so I certainly don't want to be dragged into one on a show that's supposed to be all about blood and kinky sex.
Let's face it — after Maryann the Maenad got done in by Dionysus at the end of Season Two, the show became the real Walking Dead — or should I say Talking Dead — despite the stunt casting of actors like Rutger Hauer, Christopher Meloni and Evan Rachel Wood — and the flashy evil of Denis O'Hare's Russell Edgington.
It was clear the series had nowhere to go by Season Four, with the perpetually irritating Marnie character played by Fiona Shaw. Then, in Season Five, Bill gets promoted by the Authority and becomes obsessed with the naked, blood-covered Lilith. And just think about all the werewolves and shape-shifters that have run around the show throughout the years — they mostly served as red herrings to provide gratuitous shots of the actors' naked butts when they reverted to human form.
In the finale, so much time was spent on that flipping wedding that characters who were once so important to the show made wordless cameos in the final scene — if they showed up at all!
And the characters we're left with — the long suffering Bill and Sookeh, Hoyt and Jess, Arlene and Holly, Jason and his new squeeze — are like the last guests at a boring party you can't wait to leave.
Speaking of parties, we get an abrupt three-year time leap at the end of the episode, with all the surviving characters sitting down to Thanksgiving dinner with their human (or vampire) mates, including Sookie, who has settled down and produced progeny with a mystery man (who keeps his back to the camera). At least we get Eric and Pam triumphantly marketing the Sarah-derived New Blood and opening the New York Stock Exchange. A little more of that stuff would've gone a long way.
criticizing this episode, comparing the disappointment to the Dexter series finale. The difference between True Blood and Dexter, however, is that Dexter kept trying to get its mojo back while this show seemed content to sink into inanity. I really thought they would have tried harder to create a memorable final season, but the fatigue had really set in...and it was terminal.